What DJs actually play
DJ
25 sets, 2011–2013.
Most played
What Max Grabke reaches for most.
Share is measured against this DJ's documented sets, not against every set they have ever played.
| Record | Plays | Share |
|---|---|---|
| Slow Burn Echologist | 1 | |
| To Ferry The Von Duesz | 1 | |
| Back it Up Martin Buttrich | 1 | |
| She Said She Won't Be That Long Away Moomin | 1 | |
| Peace Mati | 1 | |
| Sensitive Marco Cappelletti | 1 | |
| 69th Avenue Candy Klein | 1 | |
| For The Time Being (Ripperton Remix) Phonique Feat. Erlend Oye | 1 | |
| I Bring Headphones Up David Pher | 1 | |
| 2 Consortium Of Colors Darius Bassiray | 1 | |
| Overcast Martin Schulte | 1 | |
| 5 Lazy Dumb People Cuetec | 1 | |
| NatMalhar Ki Mi | 1 | |
| Charlie's Asleep Art Bleek | 1 | |
| Trought The Fog Mixtresh | 1 | |
| I Was Deep In A Dream & I Didn't Know It Colleen | 1 | |
| Alexandre Desplat The Heroic Weather_Conditions Of The Universe, The Salt Air | 1 | |
| Prompt, Prompt Live Band Munsee (Todd Bodine Remix) | 1 | |
| Martin Schulte September Forest (Original Mix) | 1 | |
| Part 1+2 (Original Mix) - Superpitcher Prelude | 1 | |
| Choir Of Downside School, Purley, Emanuel School Wandsworth, Boys' Choir, et. al A Midsummer Night's Dream Act 2: On The Ground, Sleep Sound | 1 | |
| Ramiro Lopez, Miguel Lobo Letters From The Other Side (Original Mix) | 1 | |
| Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten Songs From Friday Afternoons, Op. 7: Cuckoo! | 1 | |
| Raffaele Greco Undie (Original Mix) | 1 | |
| Bil Basmala Pathway (Original Mix) | 1 |
Over time
Which styles each year's sets were tagged with.
Kindred DJs
DJs who play the same unusual records.
Affinity measures how much two DJs play the same records. Rare records count far more than hits, and it is adjusted for how many records each DJ plays. Most pairs score under 0.1; above 0.5 is the top 1%.
Recent sets
Each row is a set, each block a record, warmer the more often Max Grabke plays it. Hover a block to see it; click to open it.
One row per set, newest first. Blocks are drawn at the same width in every row, so a long set is a long row. The share on the right is how much of the set is material they play nowhere else. Sets whose tracklist nobody finished are faded and flagged, and their share covers only the tracks somebody wrote down.